The BHS' Ergosphere modulated delay effect offers an incredible amount of versatility. With multiple sound-shaping controls, five on the front panel and a trimmer inside, you can dial-in anything from a simple echo to a self-oscillating scream that'll evoke thoughts of a doomed star being sucked into oblivion. Here are the controls for the delay section:
The event horizon is the "point of no return" in a black hole; space becomes distorted and time escapes your grasp. The Black Hole Symmetry's reverb section aims to imitate that almost incomprehensible feeling. A DSP modifies the pitch of the input note while adding a high-pitched note on top. These are the reverb controls:
If you want the Black Hole Symmetry to sound like it's imploding, just engage the Singularity fuzz section. With a spine-shaking amount of gain on tap, you can simulate "the end" when using the fuzz circuit in conjunction with the delay and reverb effects. The central 'Disintegrate' control is all you need!